Friday, 30 August 2013

Sombres Forets – La Mort du Soleil


There was a five year gap between the release of Royaum De Glace and the release of Sombres Forets's latest album, La Mort du Soleil. During that time, the depressive black metal bubble burst due to being over-saturated with shitty bands. Now the scene is, for all intents and purposes, dead. Of course, that hasn't stopped Sombres Forets from releasing their new album in this barren wasteland people once called a scene. In fact, Annatar got together with his friends in Gris and they released both of their latest albums around the same time. I really liked Gris's latest offering. Let's hope I can say the same about Sombres Forets.


The first song is a beautiful non-metal piece that consists of acoustic guitars and low droning clean vocals that eventually transition to pained screams that echo far off in the background. After a while, it morphs into this strange experience where the drums and distant riffs play backwards. It's quite unsettling, and teaches you to not jump to conclusions so quickly. After a minute of that, we go back to the acoustic guitars. This proves that the album is going to be unpredictable.

The depressive black metal on this album is a bit more unorthodox this time around. The drums are more prominent in the mix and the guitars seem to be off in the distance, like a ghost ship shrouded in fog. This setup might take some getting used to, but it's all worth it in the end. The drums display even more skill than they did on Royaume De Glace. Their beats are more complex, the cymbal work is more intricate, and there are many more fills. Thanks to the more professional production, they also feel much more powerful. Another improvement I like is how prominent the bass has become. It plods alongside the guitars and makes the music feel more rich and full.

The vocals sound just as agonized as they did on the previous two albums. No surprise there. However, thanks to the improvements in production, he has also added more effects to his vocals, mostly reverb. This helps to make his vocals sound more ghostlike and create a more chilling experience. Of course, as with the past albums, the best performance is given by the guitars. They don't sound like Burzum anymore. They've forged for themselves a new identity that I can't quite pin down. All I know is that they take depressive black metal and mix it with post metal to create something that is wondrous, dreamy, melodic, and is a true spectacle to behold. And of course, they also make sure to include plenty of clean and acoustic guitars that add a great deal more flavor to what they've concocted.

This album was amazing. The ghostly vocals were chilling, the guitars offered up a great display of melody, and the album overall offered up a wondrous atmosphere. Both Gris and Sombres Forets released awesome albums this year, but if given the choice between the two, I would have to go with Sombre Forets. I feel they get to the point much faster. Both albums are fantastic in their own ways, though, and I recommend you listen to them both.

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